Stuff Rebekah Likes

Month

March 2012

7 posts

“

But let’s be honest. Some people start painting without acquiring certain skills, so what they paint doesn’t look very good. That doesn’t make it bad art. You keep working, just like you keep working on writing and you keep working on your instrument. You keep doing it because it is an ennobling human activity and an exploration of the spirit.

Not all our explorations of the spirit deserve to be hung on a stranger’s wall. That’s not why we’re doing it. We’re not doing it for that stranger’s approval. We’re doing it because it’s our path. And what is it a path to? That’s nobody’s business frankly. It’s a path.

And so it goes. There is no bad art. There are no bad artists. There are just people working toward something unseen.

”
—Cary Tennis
Mar 18, 2012
“

So I have spent my life watching, not to see beyond the world, merely to see, great mystery, what is plainly before my eyes. I think the concept of transcendence is based on a misreading of creation. With all respect to heaven, the scene of the miracle is here, among us. The eternal as an idea is much less preposterous than time, and this very fact should seize our attention. In certain contexts the improbable is called the miraculous.

What is eternal must always be complete, if my understanding is correct. So it is possible to imagine that time was created in order that there might be narrative- event, sequence and causation, ignorance and error, retribution, atonement. A word, a phrase, a story falls on rich or stony ground and flourishes as it can, possibility in a sleeve of limitation. Certainly time is the occasion for our strangely mixed nature, in every moment differently compounded, so that often we surprise ourselves, and always scarcely know ourselves, and exist in relation to experience, if we attend to it and if its plainness does not disguise it from us, as if we were visited by revelation.

”
—Marilynne Robinson, Psalm Eight
Mar 15, 20121 note
The Romance of Loneliness

For we are strangers before thee, and sojourners, as were all our fathers: our days on the earth are as a shadow, and there is none abiding. - I Chronicles 29:15

The feeling of not belonging in the world is probably fairly universal, and yet so specific and personal- if we all feel like “strangers and aliens” in the world at times, I imagine we do so in our own peculiar ways. Growing up, I always felt too sensitive, too perceptive, too dreamy and weird and otherworldly to ever really fit in with the rest of humanity. This is of course very narcissistic, as in a sense I felt I was too good for the world. But maybe we all are too good for the world, and that is what makes us beautiful.

I read a book some years ago, the novel Housekeeping by the great Marilynne Robinson. It’s about two sisters living with the trauma of their shared history, of tragic death and disappointment and suicide in their family, and the way they choose to live with the ghosts of the past. The narrator, Ruth, retreats ever further into her own interior world, one in which she remains conversant with her memories and the worlds contained within, becoming more uniquely herself and yet somehow less human. Her sister, Lucille, chooses to reject the eccentric introversion that seems to be a family trait and chooses conformity, comfort, and conventionality, and in doing so attempts to shut out the ghosts and the memories that she fears will draw her into madness. Ruth on the other hand becomes something of a ghost herself, learning to be indifferent to the cold and wind and wet, riding the rails and never staying in one place for long, never allowing her impression to linger, and always observing the lives others live but never participating. Lucille has the comfort of people and society and civilization, but in rejecting her own history loses that which makes her unique. Ruth becomes so conversant with her history and the ghosts that inhabit it that in a sense she is carried away by it, cast upon the wind, never tethered to the here and now of place and people and community.

It is a beautifully written and haunting book. As a reader, I identified with Ruth. I understand the fear of conformity, the worry that by following the rules and conventions of society, the essential truth of oneself will be suppressed and ultimately lost. When you feel like nobody understands you and nobody ever will, there’s a romance to the idea of withdrawing, of isolating, and only ever having to answer to yourself, your one true soul mate.

And there is indeed a tragedy to Lucille’s choices, a sense that by rejecting her history, however sad it may be, she loses something valuable, and one intuits that the relationships she forms will always be lacking, because she will never approach them as herself but instead as the persona she has created in order to gain acceptance. But of course Ruth’s is also profoundly sad as she has rejected connection altogether (with the exception of her Aunt Sylvie, whose path of transience and mien of otherworldly singularity she adopts).

The struggle between the two is a struggle I (and many of us) know well. I want to be myself, to be like nobody else, and yet I want to belong. I want to be understood, and yet I want to believe I am too complex to be fully comprehended. I want to be free of the weight of my history and I yet I know it is inextricably woven into my identity. Right now I am something of a transient myself. I love the thrill of seeing new places, places untainted by memory, and yet I long for rootedness and groundedness. And while I know conformity is soul killing, so too is unending introspective isolation. I still haven’t found the balance between the two. I’m better than I used to be. I have people I love who help to center me. But the path of Sylvie and Ruth continues to allure, pulling me down the dark corridors of my own mind and beckoning me to light out for the territories.

Mar 14, 2012

From mustardseedtrees: 

The weirdest part of moving on, or growing up, maybe, is that you understand yourself better at the same time you also start to change. So you are always only knowing who you used to be. 

Truth.

Mar 14, 2012
“There’s a lot under the surface of life, everyone knows that. A lot of malice and dread and guilt, and so much loneliness, where you wouldn’t really expect to find it, either.” —Marilynne Robinson, Gilead
Mar 14, 2012
“

Withholding distorts reality. It makes the people who do the withholding ugly and small-hearted. It makes the people from whom things are withheld crazy and desperate and incapable of knowing what they actually feel.

So release yourself from that. Don’t be strategic or coy. Strategic and coy are for jackasses. Be brave. Be authentic. Practice saying the word love to the people you love so when it matters the most to say it, you will.

We’re all going to die, Johnny. Hit the iron bell like it’s dinnertime.

”
—Sugar, who always gives wise and beautiful advice. I read this quote on someone else’s tumblr and I love it.
Mar 12, 2012
“It’d be difficult to argue against the notion that our love for fame, and the importance we ascribe to it, has reached a crescendo…There’s nothing inherently valuable about fame, and further, it often distorts a very natural desire to be loved by someone into an obsession with being loved by everyone.” —much needed words from Jonathan Fitzgerald on fame and marketing in Christianity. http://www.patrolmag.com/2012/02/27/jonathan-d-fitzgerald/jesus-christ-fame-monster/
Mar 9, 2012
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